A solo exhibition by Paul-Mehdi Rizvi, curated by Manizhe Ali recently took place at Artchowk Gallery.

Paul-Mehdi has consistently gravitated towards experimentation, drawing inspiration from the intensity and diversity of his surroundings. This inclination has often resulted in a distinct restlessness, as the wide array of non-traditional materials available can be both enticing and potentially distracting.

In Games With Time, Paul-Mehdi’s playful, experimental, and brutalist approach has coalesced into a distinctive style. It’s worth noting that dark, moody tones seamlessly coexist with bright flashes and literal bursts of colour.

In recent years, an exploration into the visual aspects of the Russian avant-garde and Russian Formalism has influenced the creation of artworks featured in Games With Time. While there are admittedly instances of literal and somewhat obscure references, it is safe to say that the overall influences or inspirations have fostered a dual approach: revisiting foundational elements and rediscovering overlooked aesthetic languages.

Imagine an abstract artwork that mesmerizes with its dynamic interplay of materials and textures. Upon a sturdy drawing board, layers of polyurethane binder create a tactile foundation that invites exploration. Across this surface, acrylic paints dance and swirl, their vibrant hues blending and merging in a kaleidoscope of colours.

As you gaze upon his abstract masterpiece, you are drawn into a world of movement and energy, where each brushstroke and layer of pigment tells a story waiting to be discovered. It’s a celebration of creativity and experimentation, a testament to the endless possibilities of artistic expression.